TATA CAHAYA

Controller medium Puts Off The Light

Controller medium puts off the light basically available four highlights, which is

1.      intensity

To restrain lamplight of a moon to dark or no moon to brightness usually being used by the so called tool dimmer . With this tool, each satuan puts off the light that diapsang on stage gets to be restrained by beginning of full lighting, subsiding slow, puff out absolutely, conversely. Prescriptive stage lamplight intensity besides dimmer also its lamp force (its watt) and dimension of that lamp housing. 

A light orderer gets to manage needful highest intensity for each bandstand region that wanted by its lighting. Every tipa channel dimmer can be utilized to give balance intensity cahay that of each its source. Ideal ala is provided that skeneri (gesture atmosphere on stage) each scene can be resulted from lighting each its source. Next scene may will consisting of usufruct lighting that variably its intensity formation frequent despite to be used deep channel dimmer  same.

 

2.      color

Color also its role essential as tool of light intensity controller. At technological state goes forward already long time utilize electricity light intensity as tool of bandstand light main, on century XV not even differentiate lamplight intensity among comedy and tragedy, but then also differentiate wana's manner its light. Warm colors used to light komdei, meanwhile cold color used to tragedy light. Such colour conception it stills in common and still a lot of be used until for the moment, but also light colour surprise myriads one were created by ala craft that become daring.

Light colour purpose at absorbing bandstand because of its unique character. At one the party have objektif's character because of measuring it definitely, e.g., its light source, its lamp force, its lamp housing, media or filter (filter) its color, every thing definitely. But, lamplights colour focus that while rebound from object or apt characterization spotted, its color bounce one until audience eye can changed.

At any other party, color has subjektif's character or has psychological factor because willingness stage manager which more interest to color bounce characterizations at winks audience. Thus, necessary alone adeptness for a light orderer for mengolah objketif's factors and subjektif. Not even needful science which visceral, but then also experience which ripe to get all the best result.

 

3.      distribution

Distribution is concentration, broadcast, and lamplight aim. It will communicate too with many a minimum total lamps, there are many a minimum total lamp instrumental types, and position place puts off the light that. Especial lamplight distribution quality gave by each its equipment type (special light lamp or common light lamp), outgrow its light little determined by dimmer's purpose, sharply or its tender lines prescribed light by its light incidence angle go to target, and other as it. Each equipment hinges from type it forms various lighting effect. Place domiciles that lamp is led terminological kemamuan light orderer by virtue of light plots( light plots).  Sunny light to be led there, glimmer at hither lead, and so on that the whole lot is led and is arranged making for target platis and composition that gets visual's effect.

There is three distribution controller peripherals interrelates lamplight, which is

1.      controller peripheral puts off the light common that result light that memencar

2.      controller peripheral puts off the light special that have mengempal's light, and

3.      controller peripheral that lies on light colour sort one was floodlit to go to same object surface. 

Fact proves that skeneri, costume, equipment, and even manner makes-up characterizations have various ability absorb danm memantulkan worth considering lamplight. It momentously to been taken into account deep light distribution in one peemntasan. Even a characterization which moves on stage get merubahj light distribution if be not been taken into account previous. It because of whole body, costume, and equipment that be taken in aadalah light reflector as well as part set another one.

 

4.      movement

Movement, which is change one or more light quality. This lamplight movement can happen because of a few things which is:

1.     Deliberate lamplight movement moved by bandstand body (manual) to follow characterization movement (usually been called follow spot ). 

2.     Ruled lamplight movement mechanical ala (there are many utilized by disco lamp). 

3.     meremang's lamplight movement (at m downwards) and menerang (at m rise), which is movement arrangement trend lamplight via dimmer's tool that its handle just gets to be enabled through mechanical parent or electric tool. 

Only by modern electronic tool, it can be performed with every consideration. One controller operator puts off the light (manual) can handle no more than three or four prisoners (resistensi) or autotransformer  one that available on hands( handle) dimmer  and it is lie even in agglomerate neighboring one. Light movement upon fashioned be walks to have is worked carefully. If don't, alarmed will mislead and miss of dramatik's points that will be reached. 

Besides, operator room puts off the light with person that restrains to put off the light has to have view heaving full onto bandstand. With demikia, it that mengoordinasikan can light movement or light change with its gesture. Lamplight movement will give various light dynamic quality staging if it follows composition pattern that nicely which is made bases poem taste point, music, visual, and rate demonstrates (theatrical taste).